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The need for writers even after movable type can be understood as a function of the time that it took to set type. While a book was a large production, and the amount of time justified the many copies, some writing did not need to be editioned in large quantities, and although lengthy in its text, would not justify the time needed for setting type. Legal and business uses demaned a type like 1979. And one other profession benefitted from the practice of constantly drawing letters - the typographer, or type designer.
The typography 1979 has its grace as well as a magnificent artisan beauty.
This source is suitable for all study of design. This alphabet specially has been designed and fit for magazines and newspapers, long scientific works and fiction books. Falsified system of serif, with clean contours, takes the reading clear.
This source is product of a technical innovation spectacular, perfect for corporative uses. the typography 1979 obtains an excellent quality in screen and supports several different languages.
Word spacing is more controlled. Ligatures, ties from letter to letter, have become an important design element. While this is a tendency in all cursive, here it looks like more care is given to the connecting of letters than to the relative proportion between letters.
This type contributed o the idea of grandeur in the flourishes with which capitals are constructed. The lettering is the kind used for formal script today on wedding announcements, and it was in fact used for documents and financial records.
Incredible typography ideal for publishing fields. It works very well in massive texts.
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